TIMNEY AND FOWLER WALLPAPER

timney and fowler

To this end a major development was the expansion of the Interiors Collection in the early s, from the original black and white neoclassical themes into new fabrics and color, including a range of deep dyed cottons and velvets. Self-confessed “20th-century vultures,” their inspiration has been drawn variously from photography, mythology, classicism, and European history, and from the arts and crafts and aesthetic movements— this eclecticism expressed with bold graphic imagery and in an uncompromising monochrome. This striking classical modernism was taken up avidly by the style conscious avant-garde in the early s. Type the code shown: Timney has described her earlier work as “clinical and calculated,” and believes the new ecological awareness, lowering of international barriers, and the recession make for less ostentation in the s and again in the early s.

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Other designs use hand-drawn symbols to give a softer, more ethnic look.

Clients included Yohji Yamamoto and Issey Miyake and the Japanese market has remained an important business connection. Self-confessed rimney vultures,” their inspiration has been drawn variously from photography, mythology, classicism, and European history, and from the arts and crafts and aesthetic movements— this eclecticism expressed with bold graphic imagery and in an uncompromising monochrome.

Timney Fowler describe its design philosophy as foler process of evolution, working through one set of ideas in a kind of natural progression, but without any ups and downs.

Comment about this article, ask questions, or add new information about this topic: To complement these classical borrowings was a range of Regency stripes, latticed Victorian ironwork, and small scale heraldic repeats.

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Sue Timney

Color has been creeping into the Timney Fowler scheme of things and, as the designers would have it, not before time. The company fast outgrew its original premises in Portobello Ad and in moved to the highly fashionable Chelsea where they concentrated on key products suited to this more sophisticated mileu—fashion, scarves, ceramics, tableware and interiors.

There is also a distinct softening of the edges. Micro and miniaturized prints were popular, and Fowler noted to Women’s Wear Daily 26 January”Simple geometrics in fresh colors have gotten a great response from buyers,” while dots and horizontal borders gained as well. In the late s, Timney Fowler expanded into fashion, with a range of scarves and shawls in wool and silk, silk shirts, ties and t-shirts, waistcoats, and bags.

In they produced their own range of interior furnishings to sell in their first London showroom in Portobello Road. McDermott, Catherine, Street Style: Their shirts and fashion accessories sell worldwide through retail outlets, as well from a New York showroom opened in They launched themselves as freelance fashion designers inselling printed fowle on the roll. Timney Fowler’s distinctive designs draw on the rich symbolism of European art.

The dynamic couple of Timney Fowler had created a stunningly unique look; their contrasting approaches of the formal intellectual on the one hand and flamboyant practicality on the other have been the recipe for an ever-evolving success story which has yet to slow down.

Type the code shown: Drawing extensively on the history and symbolism of European art, the designs were presented in the company’s distinctive graphic style, black on white. To this end a major development was the expansion of the Interiors Collection in the early s, from the original black and white anf themes into new fabrics and color, including a range of deep dyed cottons and velvets.

Collections – Timney Fowler

This striking classical modernism was taken up avidly by the style conscious avant-garde in the early s. Noteworthy is the range of ceramics, mainly neo-classical and paralleling the fabrics. Period Homes and Interiors, Olympia, London, Although there has been no let up in the appeal and saleability of Timney and Fowler’s original style theme, much plagiarized by lesser talents, there have been moves to get away from visual typecasting. The company’s design criteria could be said to be embodied in the Neo-Classical Collection, the core of the Timney Fowler fabric range, produced in On a much larger scale yet maintaining the same imagery are the Timney Fowler gun-tufted rugs—manifestly intended to be centerpieces, perennial designs like Coinhead and Timepiece, all resolutely in black and white, which speak for themselves.

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Timney Fowler Ltd. – Fashion Designer Encyclopedia

New products continue to emerge, including umbrellas, jewelery, shoes, furniture, lights, and a collection of black and white clothes. If design hype were to be believed, they virtually invented black and white. New fabrics included velvet and plastic-coated cotton. The following year at the English Accents show in Januarybatik prints with wood-blocked borders and Japanese screen designs were the rage.

Show my email publicly. Surprisingly, having traded for so long on their black and white signature, Timney Fowler at this stage introduced color for the first time into its fashion range. But while the source remains historical, there is also wit and a sense of the surreal.

Timney Fowler’s aim has always been to produce “20th-century classics, contemporary and exciting in mood but making few concessions to instant fashion. Animals, leaves and other images from the natural world are also used in unexpected ways.