Marenka Gabeler lives and works in London. Whether using drawing, painting, photographs or collage, Gabeler places individual pieces in relation to a space and in very specific relation to each other. A hand seems to lie in a landscape. It also muses upon the methods by which memories can be retained and recalled. Looking closer, the way the panels and canvasses are painted varies; sometimes smooth brushstrokes, sometimes dry minimal gestures, scarcely covering the surface. New installation and paintings by Marenka Gabeler. Sometimes, the background becomes more prominent than the faces.
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Features are reduced and simplified. All is a journey towards an art where the imagination completes the message implied by the drawn line, that creates a sense of longing for something that has been or might have been. Ink drawings explore the tentative world between the known and the unknown, the seen and the unseen, the tangible and the implied — all aspects of the art of memory. She responds to the mood of surroundings by continuing a narrative that whispers through the walls.
She wants to connect the world depicted in the work to the wider world, to perceive it as a series of objects in a larger context.
Sometimes, the background becomes more prominent than the faces. Marenka tries to empathise with a state of being conscious of loss of memory and the unnerving process through which memories fade and identity is lost.
Marenka Gabeler lives and works in London. Her projects have taken her on residencies in Japan, Syria and Majorca. Painting faces that mask the canvas, she tries to discover that which is hidden mmarenka view or part of the unconscious mind.
And is interested in how we remember and how we forget.
Her work could be considered animate objects; as if they were living beings with individual voices, opinions and desires. This installation is superimposed into the space to imply an historical home within the gallery, which is itself created within a home.
Faces are diffused and falling apart. She is slowly losing her memory. Inspired by the memories of her grandmother, who died last year aged 96, the work revolves around the fear of losing these memories. It also muses mareenka the methods by which memories can be retained and recalled.
The figurative moves into the abstract leaving only a few, evocative, traces behind. In forging a habitat for her work, Gabeler aims to give them a larger spectrum of identity through which they can come to life.
New installation and paintings by Marenka Gabeler. There is a sense of loss of oneself. Whether using drawing, painting, photographs or collage, Gabeler places individual pieces in relation to a space and in very specific relation to each other. Marenka Gabeler Curriculum Vitae. She searches for marenkaa of karenka lost presence.
MARENKA® (@marenka_store) • Instagram photos and videos
Gabeler creates work for site-specific locations, searching for traces of a lost presence. Looking closer, the way the panels and canvasses are painted varies; sometimes smooth brushstrokes, sometimes dry minimal marwnka, scarcely covering the surface.
Subdued colours make the images seem to reside elsewhere. They are swallowed up by paint. A hand seems to lie in a landscape.